Mike o hearn and jonathan majors scene together gay

Mike O’Hearn, with a wide variety of past acting experience, has a bit of a more involved role in the film compared to the others – representing a pro bodybuilder that Jonathan Majors’ character, Killian, greatly admires.

Needless to say, having anger as an anchor emotion is tough on starting or sustaining relationships. Jonathan Majors is getting some major love from his "Magazine Dreams" costar Mike O’Hearn -- who says Majors crushed it in the bodybuilding flick.

Bynum keeps the camera on her as Jessie crumples her face in her hands. I wish the film had allowed him, and his character, a chance to exhale. Jonathan Majors is a gifted, talent and skilled Yale School of Drama-trained actor.

Mike O’Hearn on Jonathan

He listens to death metal. Why is Killian so upset? Jonathan Majors stars as Killian Maddox in "Magazine Dreams." (Briarcliff Entertainment). The tone is relentless, and the score of slow and craggy strings is a dirge. Subsuming themselves inside a character, exploring ugly emotions in a safe setting — these are ways to fuse reality to fiction and create empathy.

Majors gives his whole self to this exercise.

Jonathan Majors in Dark

One man does, but mostly Killian is his own worst enemy. In his first interview since being convicted of assaulting and harassing then-girlfriend Grace Jabbari, Majors, joined by new girlfriend Meagan Good, said he deserves a second chance.

That’s why his idol, the professional bodybuilder Brad Vanderhorn (Mike O’Hearn), a lech, will regret the day he let the amateur into his life. Killian lives a repetitive existence: He gets his feelings hurt, he stress-eats and he acts out.

A grocery store employee, he cluelessly flirts with a co-worker, Jessie Haley Bennettby having her ring up his chicken breast and telling her to keep the change. Where is Bynum placing the audience in that scene? But what exactly are we supposed to see?

There are a few reasons, all of which are given the same narrative weight which is to say, little even as they range in scale from surviving domestic violence to mean comments on his workout videos. The performance has pounds of ego in it too.

Nothing and no one feels real, including minor characters like a streetwalker Taylour Paigecoolly enduring a thankless role in a ridiculous costume of sequins and furs. His filmography speaks for itself: Lovecraft Country, The Harder They Fall, The Last Black Man in San Francisco Choosing a mean-spirited film with a devilish lead like this shows his range.

Later, when Killian triggers a ferocious tit-for-tat with Ken Bradley Strykerthe owner of a construction company, the man calls him an ape. At least visually, the cinematography is stunning with saturated reds, blues and amber oranges, as well as nifty focus racks that do a lovely job of telling us where to look.

And when the script decides it needs more tension, he transforms into a confident criminal. We sense this is only her latest disappointment. With Killian and his justified rage — or with the bystanders who merely see him acting like an animal?

There are too many competing, clashing ideas that go unexamined. Incredibly, he not only destroys property and holds one victim at gunpoint all while unmasked and dropping obvious clues as to his identityhe also gets away with it without a whiff of legal consequence.

Even if you only ever see a still frame, the effort Majors has put into looking the part is a testimony to his discipline. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. He holds the movie up, grimacing, sweating, screaming, so that every beat feels more important than it is.

He’s a character actor who can weave himself into any scenario. Those sequences are clumsily counterbalanced by real-world grievances about how strangers treat a large Black man. This led to pro bodybuilders such as Breon Ansley, Brandon Hendrickson, and Mike O’Hearn having roles in the film.